Kissing Borders / 2015

Kissing Borders / 2015

Live Performance
A red lipstick, a black marker with permanent ink, a full-length mirror, a wall with a passage, a metall gate closing the passage, an audience.
4 to 5 hours

„WATCHING THE SELF IN THE MIRROR
PUTTING SOME RED LIPSTICK ON
CLOSING GENTLY A GATE TO THE OTHER SIDE OF A WALL
KISSING THE WALL WITH RED LIPS
OPENING GENTLY THE GATE TO THE OTHER SIDE OF THE WALL

LOCKING THE OTHERS UP
LOCKING THE OTHERS OUT
KEEPING THE OTHERS WAITING
RUSHING THE OTHERS
KISSING THE OTHERS WHO ARE STANDING IN THE PASSAGE

WATCHING THE SELF IN THE MIRROR
PUTTING SOME RED LIPSTICK ON

KISSING THE WALL
5 TIMES
10 TIMES
100 TIMES
1.000 TIMES

CLOSING THE GATE
5 TIMES
10 TIMES 
100 TIMES
1.000 TIMES

UNTIL THE GATE IS BROKEN
UNTIL THE BORDER IS OPEN
UNTIL THE BORDER IS SILENT
UNTIL THE BORDER DISSOLVES INTO THE BODY

STANDING IN THE BORDERLANDS WITH A BLACK LINE ON THE FACE
STARTING TO CRY
CRYING ABOUT THEM CELEBRATING UNITY
CRYING ABOUT THEM NOT FEELING THE DIVISION

THEN, FUTURE HAPPENS AND THEY BECOME US:
WE HUG
WE KISS
WE ARE UNITED BY OUR SCARS AND BORDERS
WE ARE MANY
WE ARE ONE“

Poster with the announcement of the event PAS # 39 “Creaking Wooden Fish“
Credit: Monika Sobczak, PAS / Performance Art Studies # 39 / ´Creaking Wooden Fish´
Venice, Italy 2015

Map of the Area where the performance took place: Forte marghera in Venice
Credit: Google Maps

View of the building where the performance took place
Credit:
Camera: BBB Johannes Deimling, PAS / Performance Art Studies # 39 / ´Creaking Wooden Fish´
Venice, Italy 2015

View of the space where the performance took place
Credit: Eva Beatrice Förster, PAS / Performance Art Studies # 39 / ´Creaking Wooden Fish´
Venice, Italy 2015

Documentation of the live performance
Credit:
Camera: BBB Johannes Deimling, PAS / Performance Art Studies # 39 / ´Creaking Wooden Fish´
Venice, Italy 2015

Documentation of the live performance
Credit:
Camera: BBB Johannes Deimling, PAS / Performance Art Studies # 39 / ´Creaking Wooden Fish´
Venice, Italy 2015

Documentation of the live performance
Credit:
Camera: BBB Johannes Deimling, PAS / Performance Art Studies # 39 / ´Creaking Wooden Fish´
Venice, Italy 2015

Documentation of the live performance
Credit: Antigone Blanda, PAS / Performance Art Studies # 39 / ´Creaking Wooden Fish´
Venice, Italy 2015

Documentation of the live performance
Credit: Brendamaris Rodriguez, PAS / Performance Art Studies # 39 / ´Creaking Wooden Fish´
Venice, Italy 2015

Documentation of the live performance
Credit: Brendamaris Rodriguez, PAS / Performance Art Studies # 39 / ´Creaking Wooden Fish´
Venice, Italy 2015

Traces of the live performance
Credit: Eva Beatrice Förster, PAS / Performance Art Studies # 39 / ´Creaking Wooden Fish´
Venice, Italy 2015

Traces of the live performance
Credit: Eva Beatrice Förster, PAS / Performance Art Studies # 39 / ´Creaking Wooden Fish´
Venice, Italy 2015

Traces of the live performance
Credit: Eva Beatrice Förster, PAS / Performance Art Studies # 39 / ´Creaking Wooden Fish´
Venice, Italy 2015

Von EVA BEA

🪩 EVA BEA ist Diplom-Künstlerin (HGB Leipzig, Burg Giebichenstein Halle), Autorin und Herausgeberin von evabea.com - wo sie dich schreibend mit auf ihre Seelenreise nimmt als Dreifachmutter, Frau mit ADHS und suchende, vielbegabte Künstlerin des 21.Jahrhunderts.